Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 2nd ed. New York: The Metropolitan Museum of Art, 1929. pp. 36–39, fig. 17.

Forsyth, William H. A Brief Guide to the Mediaeval Collection. New York: The Metropolitan Museum of Art, 1947. pp. 5–6.

Weitzmann, Kurt. "Byzantine Art and Scholarship in America." American Journal of Archaeology, 2nd series, 51, no. 4 (1947). pp. 397, 404.

Morey, Charles Rufus. Early Christian Art: An Outline of the Evolution of Style and Iconography in Sculpture and Painting from Antiquity to the Eighth Century. 2nd ed. Princeton: Princeton University Press, 1953. pp. 97, 275, fig. 94.

Rorimer, James J. "The Authenticity of the Chalice of Antioch." In Studies in Art and Literature for Belle da Costa Greene, edited by Dorothy Miner. Princeton, N.J.: Princeton University Press, 1954. pp. 162–63, 164.

Rorimer, James J., and William Holmes Forsyth. "The Medieval Galleries." The Metropolitan Museum of Art Bulletin, n.s., 12, no. 6 (February 1954). pp. 122, 125.

Metropolitan Museum of Art. Guide to the Collections: Medieval Art. New York: The Metropolitan Museum of Art, 1962. fig. 7.

Ross, Marvin C. Catalogue of the Byzantine and Early Mediaeval Antiquities in the Dumbarton Oaks Collection. Volume 1: Metalwork, Ceramics, Glass, Glyptics, Painting. Vol. 1. Washington, D.C.: Dumbarton Oaks Research Library and Collection, 1962. p. 22.

Hoving, Thomas. "The Thread of Patronage: The Medieval Collections of The Metropolitan Museum of Art and The Cloisters." Apollo 82, no. 43 (September 1965). p. 178, fig. 2.

Hoving, Thomas. "Director's Choice." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 5 (January 1970). pp. 24–25.

Metropolitan Museum of Art. Masterpieces of Fifty Centuries. New York: Dutton Publishing, 1970. no. 113, p. 149.

Weitzmann, Kurt. "Prolegomena to a Study of the Cyprus Plates." Metropolitan Museum Journal 3 (1970). pp. 97–111, fig. 1.

Dynes, Wayne R. "The Dorsal Figure in the Stavelot Bible." Gesta 10, no. 2 (1971). p. 44.

Beeson, Nora B., ed. Guide to The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1972. no. 15, p. 212, fig. 15.

Wander, Steven H. "The Cyprus Plates: The Story of David and Goliath." Metropolitan Museum Journal 8 (1973). pp. 89–104, fig. 5, 10.

Alexander, Suzanne Spain. "Heraclius, Byzantine Imperial Ideology, and the David Plates." Speculum 52, no. 2 (April 1977). pp. 217–37.

Weitzmann, Kurt. "The Late Roman World." The Metropolitan Museum of Art Bulletin, n.s., 35, no. 2 (Autumn 1977). no. 58, pp. 66–67, fig. 58.

Weitzmann, Kurt, ed. Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century. New York: The Metropolitan Museum of Art, 1979. no. 425, pp. 475–83.

Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 1983. no. 12, p. 342.

Shepard, Mary B. Europe in the Middle Ages, edited by Charles T. Little, and Timothy B. Husband. New York: The Metropolitan Museum of Art, 1987. pp. 7, 37–39, pl. 28.

Snyder, James. Medieval Art: Painting, Sculpture, Architecture, 4th-14th century. New York: H. N. Abrams, 1989. p. 136, pl. 13.

Dresken-Weiland, Jutta. Reliefierte Tischplatten aus theodosianischer Zeit. Vatican City: Pontificia Accademia Romana di Archeologia, 1991. pp. 136–37.

Durand, Jannic, ed. Byzance: L'Art Byzantin dans les Collections Publiques Françaises. Paris: Musée du Louvre, 1992. pp. 101 (fig. 2), 120.

Burn, Barbara, ed. Masterpieces of the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1993. p. 63.

Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. 2nd ed. New York: The Metropolitan Museum of Art, 1994. no. 13, p. 376.

Rodley, Lyn. Byzantine Art and Architecture: An Introduction. New York: Cambridge University Press, 1994. p. 124, fig. 94.

Strouse, Jean. "J. Pierpont Morgan, Financier and Collector." The Metropolitan Museum of Art Bulletin, n.s., 57, no. 3 (Winter 2000). p. 57, fig. 68.

Eisenberg, Jerome M. "The New Byzantine Galleries at the Metropolitan Museum of Art." Minerva 12, no. 3 (2001). pp. 24–25, fig. 8.

Evans, Helen C., Melanie Holcomb, and Robert Hallman. "The Arts of Byzantium." The Metropolitan Museum of Art Bulletin, n.s., 58, no. 4 (Spring 2001). pp. 34–37.

Norris, Michael. A Masterwork of Byzantine Art : The David Plates ; The Story of David and Goliath. Closer look. New York: The Metropolitan Museum of Art, 2001. p. 12.

Norris, Michael. Medieval Art: A Resource for Educators. New York: The Metropolitan Museum of Art, 2005. no. 5, pp. 40–43.

Cyril A. Mango. "A Historical Introduction." In Byzantium 330–1453, edited by Robin Cormack, and Maria Vassilaki. London: Royal Academy of Arts, 2008. pp. 27–28, fig. 3.

Tsamakda, Vasil. "König David als Typos des Byzantinischen Kaiser." In Byzanz – das Römerreich im Mittelalter: Volume 1, Welt der Ideen, Welt der Dinge, edited by Falko Daim, and Jörg Drauschke. Mainz: Römisch-Germanisches Zentralmuseum, 2010. pp. 30–31, fig. 4.

Durand, Jannic, and Dorota Giovannoni, ed. Chypre: entre Byzance et l'Occident, IVe–XVIe siècle. Paris: Musée du Louvre Editions, 2012. no. 19d, pp. 67, 70–71.

Evans, Helen C., and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th–9th century. New York: The Metropolitan Museum of Art, 2012. no. 6f, pp. 9, 16–18, 41, 59, 133.

Spier, Jeffrey. Byzantium and the West: Jewelry in the First Millenium. Paris, Chicago and New York: Les Enluminures, 2012. p. 30.

Metropolitan Museum of Art. The Metropolitan Museum of Art Guide. New Haven, CT: Yale University Press, 2012. p. 183.

Wander, Steven H. The Joshua Roll. Wiesbaden: Reichert Verlag, 2012. pp. 134–36, 140, fig. 28–29.

Humphrey, Lyle. "Collecting Christianity on the Nile: J. Pierpont Morgan and The Metropolitan Museum of Art." In Age of Transition: Byzantine Culture in the Islamic World, edited by Helen C. Evans. New York: Yale University Press, 2015. p. 3, fig. 2.

Stein, Wendy A. How to Read Medieval Art. New York: The Metropolitan Museum of Art, 2016. no. 8, pp. 11, 46–49.

Boehm, Barbara Drake, and Daniëlle O. Kisluk-Grosheide. "Princely Aspirations." In Making the Met, 1870-2020, edited by Andrea Bayer. New York: The Metropolitan Museum of Art, 2020. pp. 80–81, fig. 78.